The Last of the Master-Models

Boston's George B. Stone & Son manufactured more than 800 Master-Model Drums between the early 1920s and late 1930s. Over nearly two decades of production, many aspects of these instruments evolved making it possible to date most examples with some degree of accuracy. The final generation of Master-Models, those which date from the mid to late 1930s, displays several distinguishing characteristics.

Serial Numbers and Makers Labels

Master-Model drums dating from the mid to late 1930s have serial numbers in the mid 9000 range. Around serial number 9000, with nearly 700 Master-Models having already been manufactured, Stone ran out of makers labels the style of which had been in use since January of 1922. Rather than having new labels printed, the factory began using up old stock inclduing repair labels. For this reason, drums produced in the 1930s sometimes have labels matching pre-serial number drums from the late 1910s. In cases where repair labels are used in place of makers labels, the wording is often altered using ink stamps or pencil markings.

late 1910s Geo. B. Stone & Son Label	Geo. B. Stone & Son Label with 1930s Serial Number
Edited Stone & Son Repair Label          image source: Reverb	Edited Stone & Son Repair Label

Washers

Another telltale sign of late production Master-Models is the use of blank oval washers instead of those stamped "STONE & SON / BOSTON MASS". Unstamped washers began appearing on drums with serial numbers in the mid 9500 range.

early 1920s - mid 1930s

mid to late 1930s

Leedy Tone Controls

Often mistaken for an aftermarket addition, factory installed Leedy tone controls are common on Master-Model drums of the mid to late 1930s. Stone's use of tone controls roughly coincides with the introduction of blank washers on drums with serial numbers in the mid 9500 range.

Ten Lug Configurations

The use of ten tenioners per head, as opposed to twelve, becomes common on extremely late production Master-Models with serial numbers in the 9600 range. Ten lug models account for only the last few dozen drums manufactured around the late 1930s.

Other Characteristics

Though not exclusive to the final generation of Master-Models, later examples are more likely to feature pyralin wrapped finishes, deeper shell sizes and chrome plated hardware. Wrapped finishes are included in Stone & Son pricelists as early as 1928 and begin appearing on drums with serial numbers in the low 8000s. Chrome plating, which is not mentioned in Stone & Son's 1932 pricelist, does appear as an option in Booklet "L" published around 1935 suggesting this became an option sometime in the early-mid 1930s. Deeper shell sizes begin appearing on Master-Model drums with serial numbers in the mid 8000 range. Despite being cataloged in only one size (initially 5 1/4" x 14" and later 5"x14") deeper drums account for about 10% of Master-Models produced.

Do you have a Stone & Master-Model? I would love to hear from you! Feel free to drop Lee an email at lee@vinson.net. And for more on the early 20th century snare drum makers of Boston, Massachusetts please visit BostonDrumBuilders.com or follow @old_boston_drums on instagram.

J. B. Treat Drum, ca. 1879

Joseph B. Treat was a well-known drummer and drum maker in Boston during the mid to late 19th century. A native of Connecticut, Treat arrived in Massachusetts by 1860 and briefly served as a drummer in Boston's Independent Corps of Cadets during the Civil War. A musician by vocation, he worked extensively in the musical instrument trade as well. Treat's most recognizable work as a maker was for Thompson & Odell during the 1880s and early 1890s.

Through much of the 1860s and 1870s, directory listings place Treat at addresses corresponding to the workplace of Asa Warren White suggesting that Treat worked alongside or was employed by White during these years. Signed makers labels offer further evidence that the two men were affiliated in some capacity well into the 1870s though they diverged shortly thereafter. Directories list Treat independently under 'Musical Instrument Makers' in 1879, and both Treat and White are absent from the Boston Business Directory in 1880 before reappearing at separate addresses the following year. Beginning in 1881 Treat's place work was 177 Washington Street confirming that he was by then employed by Thompson & Odell.

Treat likely produced the drum seen here during the narrow window of time after leaving White's shop, before landing at Thompson & Odell.

A large makers label inside the drum reads: "CIRCULAR / Having located at 50 Bromfield Street, Room 24, I am prepared to furnish Drums of any, and all descriptions, of the best materials throughout, also Rodger's Drum Heads, and Drum Findings of all descriptions, at the lowest possible prices. / Uniform sets of Drums, for Corps, made at the shortest notice. Old Drums remodelled and repaired in the best manner. / J. B. TREAT, / 50 BROMFIELD ST., ROOM 24 / I invite my old friends and customers to / "CALL ROUND." / Pin this up in the Band Room." The drum is straightforward in construction, typical of military style drums manufactured in Boston during the decades following the Civil War. Formed from a single ply of maple, the shell is held at the seam by a line of small brass tacks. Slightly unusual is the orientation of the air vent and snare beds which are often placed further around the shell from the seam.

Do you have a drum made by J. B. Treat? I would love to hear from you! Email Lee anytime at lee@vinson.net. And for more on the early 20th century snare drum makers of Boston, Massachusetts please visit BostonDrumBuilders.com or follow @old_boston_drums on instagram.

1912 George B. Stone & Son Thumbscrew Rod Orchestra Drum

Boston's George B. Stone & Son manufactured a vast number of single tension, thunmbscrew rod drums during the early decades of the 1900s. The paper label inside of this example is date stamped March 1912, roughly a decade before the company reached its zenith.

Of special interest here is the extremely shallow shell measuring only two inces in depth. The rosewood grommet is cleverly recessed into the shell to prevent it from obstructing the flesh hoops as the heads are tightened. An early version of the Stone Patent Snare Strainer and Muffler is stamped with the inventor's name rather than "Stone" which is common on later examples. As is often the case, the original arm has broken off and gone missing. The original 'flexible waterproof woven' snares, however, remain intact. Do you have a Stone & Son drum? I would love to hear from you! Feel free to send Lee an email at lee@vinson.net. And for more on George B. Stone & Son and the other turn of the century Boston-based drum makers, please visit BostonDrumBuilders.com or follow us on Instagram: @old_boston_drums.

1921 Harry A. Bower Drum

Harry Augustus Bower (1866 - 1948) was a prolific theater drummer, Vaudeville performer, xylophone soloist, method book author, teacher and inventor with more than a dozen patents to his name. His most prolific period as a maker was during the late 1910s and early 1920s before relocating to Southern California in 1924. The drum featured here is dated February 14, 1921.

Many of Bower's instruments were eccentric even for their time. In particular, the use of a frame mounted snare system and tubular counterhoops which doubled as flesh hoops were unique to Bower drums. Many variables exist between one Bower drum and the next as the maker was constantly editing and evolving his own inventions. This example is formed around a figured maple shell with metal bands lining the bearing edges. A finely turned rosewood grommet adorns the air vent and an oversized makers label is applied inside of the drum. Most Bower drum shells have no snare beds instead relying on the snare frame to keep the wires in contact with the bottom drum head. In this case, however, the shell has deeply cut beds which dictate that either the strainer or butt must be oriented directly underneath the badge. This must have been intentional on the makers part and probably explains why many Bower drums have conspicuously dented badges where the strainer often rests against the shell when engaged. Do you have a Bower drum? I'd love to hear from you! Feel free to send Lee an email at lee@vinson.net. And for more on the early 20th century snare drum makers of Boston, Massachusetts please visit BostonDrumBuilders.com or follow @old_boston_drums on instagram.